{"id":326,"date":"2015-10-06T23:56:31","date_gmt":"2015-10-06T21:56:31","guid":{"rendered":"http:\/\/messadivoce.nl\/?p=326"},"modified":"2016-02-11T23:57:54","modified_gmt":"2016-02-11T21:57:54","slug":"concert-long-live-fair-oriana-met-engelse-madrigalen-op-31-januari-2016-1600-uur-in-delft-lokatie-wordt-nog-bekend-gemaakt","status":"publish","type":"post","link":"https:\/\/messadivoce.nl\/?p=326","title":{"rendered":"Concert &#8216;Long live fair Oriana&#8217; met Engelse madrigalen 11 maart 2016"},"content":{"rendered":"<p><strong>Nieuwe datum! \u00a0 \u00a0 \u00a0vrijdag 11 maart 2016 om 20:15 uur<\/strong><\/p>\n<p>plaats: Delft, Oud Katholieke Kerk, Bagijnhof 21,<\/p>\n<p><strong><span style=\"color: #800000;\"><a href=\"https:\/\/messadivoce.nl\/?attachment_id=378\" rel=\"attachment wp-att-378\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-378\" src=\"https:\/\/messadivoce.nl\/wp-content\/uploads\/2015\/10\/Concert-11-maart-2016-Oriana-Elizabeth-212x300.jpg\" alt=\"Concert 11 maart 2016 Oriana -Elizabeth\" width=\"346\" height=\"483\" \/><\/a><\/span><\/strong><\/p>\n<p>Het thema van ons concert is afkomstig uit een serie van 25\u00a0<a title=\"Madrigaal\" href=\"https:\/\/nl.wikipedia.org\/wiki\/Madrigaal\">madrigalen<\/a>\u00a0die ter ere van Koningin <a title=\"Elizabeth I van Engeland\" href=\"https:\/\/nl.wikipedia.org\/wiki\/Elizabeth_I_van_Engeland\">Elizabeth I<\/a>\u00a0 werden gecomponeerd door verschillende componisten en die werden samengesteld door <a title=\"Thomas Morley\" href=\"https:\/\/nl.wikipedia.org\/wiki\/Thomas_Morley\">Thomas Morley<\/a> in 1601. Morley componeerde er zelf ook enkele. We zingen vijf madrigalen uit deze serie plus nog 12 anderen. Elk lied eindigt met ongeveer hetzelfde refrein:<\/p>\n<p>&#8220;Then sang the Shepherds and Nymphs of Diana:<br \/>\nLong live fair Oriana!&#8221;<\/p>\n<p>Oriana was de bijnaam van de koningin.\u00a0Het compliment is duidelijk. Elizabeth wordt gelijk gesteld aan Oriana, de heldin van de ridderroman &#8216;Amadis de Gaul (Galli\u00eb)&#8217;.\u00a0Het past ook in het beeld dat de nymfen van Diana, godin van de kuisheid, Elizabeth, de virgin queen, zouden dienen.\u00a0De ge\u00efdealiseerde, herderlijke enscenering stelt Elizabeth voor als de eeuwig mooie koningin heersend over Arcadi\u00eb, de terechte, vereerde heerseres van een idyllisch land.\u00a0Ook interessant is dat Morley een concreet Italiaans voorbeeld voor ogen had dat hij wilde evenaren dan wel wilde overtreffen. Het betreft een madrigalenbundel uitgegeven in Veneti\u00eb in 1592. Het was opgedragen ter ere van de bruid voor de bruiloft van Leonardo Sanudo. Het heette &#8216;Il Trionfo di Dori&#8217;. Het betrof 29 madrigalen geschreven door 29 componisten. Ze eindigden alle op &#8216;Viva la bella Dori&#8217;.\u00a0Een &#8217;triumph&#8217; van Morley &#8216;Hard by a crystal fountain&#8217; is een vrijwel letterlijke vertaling van een tekst van Giovanni Groce.<\/p>\n<p><strong>Programma<\/strong><\/p>\n<p>robyn, gentyl robyn,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 William Cornyshe (1465-1523)<br \/>\nAll Creatures Now \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a5\u00a0\u00a0\u00a0\u00a0 John Bennett (c. 1575 \u2013 na 1614)<br \/>\nCome, Gentle Swains \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a5\u00a0\u00a0\u00a0\u00a0 Michael Cavendish (c. 1575-na 1614)<br \/>\nAs Vesta was from Latmos \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a6\u00a0\u00a0\u00a0\u00a0 Thomas Weelkes (c. 1575-1623)<br \/>\nHard by a crystal fountain \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a6\u00a0\u00a0\u00a0\u00a0 Thomas Morley (1558-1603)<br \/>\nThe Leaves Bee Greene \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 William Inglott (1554-1621)<br \/>\nMusic Divine \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a5\u00a0\u00a0\u00a0\u00a0 Thomas Tomkins (1572-1656)<br \/>\nToo Much I Once Lamented \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a5\u00a0\u00a0\u00a0\u00a0 Thomas Tomkins<br \/>\nDraw On, Sweet Night \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a5\u00a0\u00a0\u00a0\u00a0 Thomas Tomkins<br \/>\nO Metaphysical Tobacco \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a5\u00a0\u00a0\u00a0\u00a0 Michael East (c. 1580-c. 1647)<br \/>\nThe Silver Swan \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a5\u00a0\u00a0\u00a0\u00a0 Orlando Gibbons\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (1583-1625)<br \/>\nFyer, Fyer! \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a5\u00a0\u00a0\u00a0\u00a0 Thomas Morley<br \/>\nBrowning \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Elway Bevin (ca. 1554-1638)<br \/>\nSay, Gentle Nymphs \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a4\u00a0\u00a0\u00a0\u00a0 Thomas Morley<br \/>\nWeep, O Mine Eyes \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a4\u00a0\u00a0\u00a0\u00a0 John Bennett<br \/>\nCan She Excuse \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a4\u00a0\u00a0\u00a0\u00a0 John Dowland (c. 1562-1626)<br \/>\nCome Again \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 a4\u00a0\u00a0\u00a0\u00a0 John Dowland<br \/>\nDances \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 i\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Anthony Holborne (c. 1545-1602)<br \/>\nPavan V The Cradle<br \/>\nGalliard XXXX<br \/>\nAlmain LX The Honie-suckle<br \/>\nGalliard LXV Heigh ho holiday<br \/>\nThough Amaryllis daunce in Greene \u00a0 \u00a0 \u00a0 \u00a0 \u00a0a6\u00a0\u00a0\u00a0\u00a0 William Byrd (1543-1623)<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nieuwe datum! \u00a0 \u00a0 \u00a0vrijdag 11 maart 2016 om 20:15 uur plaats: Delft, Oud Katholieke Kerk, Bagijnhof 21, Het thema van ons concert is afkomstig uit een serie van 25\u00a0madrigalen\u00a0die ter ere van Koningin Elizabeth I\u00a0 werden gecomponeerd door verschillende &hellip; <a href=\"https:\/\/messadivoce.nl\/?p=326\">Lees verder <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[6,7],"class_list":["post-326","post","type-post","status-publish","format-standard","hentry","category-concerten","tag-concert","tag-madrigalen"],"_links":{"self":[{"href":"https:\/\/messadivoce.nl\/index.php?rest_route=\/wp\/v2\/posts\/326","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/messadivoce.nl\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/messadivoce.nl\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/messadivoce.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/messadivoce.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=326"}],"version-history":[{"count":15,"href":"https:\/\/messadivoce.nl\/index.php?rest_route=\/wp\/v2\/posts\/326\/revisions"}],"predecessor-version":[{"id":382,"href":"https:\/\/messadivoce.nl\/index.php?rest_route=\/wp\/v2\/posts\/326\/revisions\/382"}],"wp:attachment":[{"href":"https:\/\/messadivoce.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/messadivoce.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/messadivoce.nl\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}